hi, wow.
thanks for being here.
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kg
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kg
here’s my weekly newsletter. ❤️🔥
Discovering coziness as a world-making practice.
This film is an experiment in creative access-oriented media production. The starting point is the final sequences of Rihanna’s Fenty x Savage vol. 2 show, which debuted on Amazon Prime in October 2020. The task was to describe and caption this film in ways that model new possibilities for the aesthetic of access.
Here’s what the pitch said:
🔮 a party from and for access magic 🌘 featuring: incantations for glitch intimacies & live shows & drag spells & dj sets & captions & audio description & sound description & access doulas & more! 🖤 join us in the conjuring! 🔮
I reviewed the recordings from this party over a year later, when I was relieved of some of the mom energy of being-in-it. And I got my time-shifted blessings. And I got to hang with my friends again. And I realized just how fucking absolutely awesome this party was, one of the most lurid memories from that awful and raucous summer of 2020.
On May 1st, 2020, for the first time in 5 years, I was not celebrating the eternal return of spring on faerie land. Instead, I had the honor of DJing a remote global celebration of Radical Faeries across the world. Here’s the set, which I will remember as one of the most meaningful times I took to the equipment during a period of profound uncertainty and loss.
My 2012 film from the University of California Humanities Research Institute’s “Art Inclusion: Disability, Design, Curation” residency.