Schoenberg said one day that he composed music so that people could no longer write music. I write so that people, and first of all those people who are entitled to speak, spokespersons, can no longer produce . . . noise that has all the appearances of music.
Pierre Bourdieu, 1980 interview with Loïc Wacquant
Power, in Case's world, meant corporate power. The zaibatsus, the multinationals that shape the course of human history, had transcended old barriers. Viewed as organisms, they had attained a kind of immortality. You couldn't kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder, assume the vacated position, access the vast banks of corporate memory.
William Gibson, Neuromancer
Have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
Rainer Rilke, Letters to a Young Poet
The analysis of complex philosophical and political issues usually requires intricate arguments expressed in a densely packed discourse. But such a requirement, I would argue, should not necessarily exclude sensuous expression. Put another way, discussions of the sensuous body require sensuous scholarship in which writers tack between the analytical and the sensible, in which embodied form as well as disembodied logic constitute scholarly argument.
Paul Stoller, Sensuous Scholarship