Whoever manages to hear the circuit diagram itself in the synthesizer sounds of the compact disc, or to see the circuit diagram in the laser storm of the discotheque, finds happiness itself.
Friedrich Kittler, Gramophone, Film, Typewriter
It's the 21st century. Things should be really wild. Anything else is boring.
To capture the multiplicity of relations that link (and divide) past from present, the critic needs all the formal resources possible. Multiple perspectives, intertextuality, self-reflexivity, palimpsest structure, and recursive narratives can help one respond to the complexity of cultural history. One needs writing strategies that are equal to the uncanniness of history, the anachronistic, the untimely, the thick knots of connection. One needs the resourcefulness of a bricoleur and the irreverence of a hacker.
Jay Clayton, Charles Dickens in Cyberspace
How do we understand something? We understand something by approaching it. How do we approach something? We approach it from any direction. We approach it using our eyes, our ears, our noses, our intellects, our imaginations. We approach it with silence. We approach it with childhood. We use pain or embarrassment. We use history. We take a safe route or a dangerous one. We discover our approach and we follow it.
Matthew Goulish, "Criticism"